Remanere derives from the Latin roots re (intensive force) and manere (to stay), reflecting the artists’ meditation on the pressures of perpetual arousal and anxiety under neo-liberal capitalism. The works destabilise motifs of hyperstimulation and info-sphere excess; pharmaceuticals, psychological quizzes, chemical compounds, and incorporates methods of play, novelty, and rumination as ways to explore labour, idleness, and creative rejuvenation.


Chloe Nolan (she/her) is a Naarm and Boorloo-based artist working across video, installation, and sculpture. Central to her practice is rumination, both psychological and iterative, which she employs through collecting and reconfiguring materials, images, and narratives which explore vulnerability, self-reflection, and the power of exposing one’s inner state.

 

Jacob Sturgeon (he/him) is a Naarm-based artist exploring the boundaries of physical, social, and virtual systems. His work maps parasitic structures from atomised perspectives, destabilising the individual and blurring matter and experience. Through relational assemblages, he challenges anthropocentric views, inviting perception attuned to multiplicities and interconnected worlds of humans and non-humans.

Jacob Sturgeon, Remanere, 2026. Installation view. Photo: Aaron Claringbold
Jacob Sturgeon, Acéphale, 2025, pla, steel, acrylic. Photo: Aaron Claringbold
Jacob Sturgeon, Remanere, 2026. Installation View. Photo: Aaron Claringbold
Jacob Sturgeon, Sensorama, 2025, pla, paint. Detail. Photo: Aaron Claringbold
Chloe Nolan, Remanere, 2026. Installation View. Photo: Aaron Claringbold
Chloe Nolan, DARPA, 2026, tambour cabinet doors, PVC, paint, zinc plated steel, dimensions variable. Photo: Aaron Claringbold
Chloe Nolan, Remanere, 2026. Installation view. Photo: Aaron Claringbold
Chloe Nolan, She woke 18 times during the night, 2026, thermoformed PETG, pine, dimensions variable. Detail. Photo: Aaron Claringbold
Chloe Nolan & Jacob Sturgeon, Remanere, 2026. Installation View. Photo: Aaron Claringbold